It Wasn't My Fault: Carnival and Violence Against Women Democrats

It Wasn’t My Fault: Carnival and Violence Against Women Democrats

In Brazil, a woman is killed every seven hours, which makes the situation of females in the country worrying. With the aim of exposing this frightening reality, Star + launched the Brazilian version of “Não Foi Minha Culpa”, an anthology series focused on condemning various forms of violence against women that hit the podium in August, when 16-year-old Maria Law da Penha flipped.

Over a dozen episodes, the production follows different cases you’re involved in, including abuse against women and a carnival party where all the characters have been at some point in their stories. Screenwriter Juliana Rosenthal explained splash That this common point between the characters is also found in productions from other countries.

“There was a professional who brought the characters together, whether it was the lawyer who took care of the 10 cases, or the detective in charge. In the case of Brazil, they wanted something original and some connection to the culture. She suggested Carnival, something very democratic in terms of violence against women: everyone participates. In a way or another “.

Rosenthal, who signed the script with Michelle Ferreira, explains that the series deliberately causes discomfort to those who watch it, precisely because it addresses realities that many women have experienced or know someone who has gone through similar series. For her, the goal is to show the development of abuse and harassment, which begins in a subtle manner and can end with femicide.

“It Wasn’t My Fault” is a series also found in Mexico and Colombia

Photo: Disclosure / Star +

“When we see news of violence against women every day, we only know about death. We know what’s going on, but we don’t see how it happened. This was our chance to show how this extreme violence came about.”

We need to know the process so that we can identify, alert, and enhance some transitions.
Juliana Rosenthal

humanization of production

Dealing with such heavy and sensitive topics is not an easy task, because it is a kind of violence that lives near us. The screenwriter recalls, “Since we started the research, we’ve been carried away by a lot of emotions and a lot of rebellion. It was very powerful, as painful as it was painful and intense.”

Director Susanna Lira says first readings of the script were not easy and that from the start there was concern about how the crimes were presented. “As we were trying to understand the process of violence, I was horrified to reproduce any label that looked like one of those evening shows showing violence.”

We wanted to humanize women’s history. Who is this woman? What do we lose when a woman like this dies? What do children lose? What does society lose? You can’t just make it a number anymore.
Susanna Lyra

Even with a duration of between 30 and 50 minutes, Lira compares the production of each episode to that of feature films. “Each woman was a different universe, an aesthetic challenge, a very complex narrative and also a very complex moral challenge of how to show that without downplaying and normalizing the things we women no longer want in that place.”

To help humanize the “Não Foi Minha Fault”, the production was mostly composed of women. In this way, the team members, while filming, felt how much these issues were affecting them. “I had to stop so many scenes to take care of those around them,” Lyra says.

real characters

Each episode is based on true stories taken from actual accounts and operations. Over the course of 10 episodes, we follow a rising actress afflicted by an abusive and jealous husband, to a businesswoman who fights for justice for her daughter who is found dead in a box.

In the first episode “Carol and Priscilla”, we get to know Carol and Fernando. They dated for a few months until he attacked her at the carnival. Carol tolerates what happened, until she finds out that he has a new girlfriend, Priscilla, who will be living with him due to the coronavirus pandemic.

Bianca Comparato plays Carol in It's Not My Fault, working alongside her sister Lorena - Disclosure / Star + - Disclosure / Star +

Bianca Comparato plays Carol in It’s Not My Fault, working alongside her sister Lorena.

Photo: Disclosure / Star +

Carol and Priscilla are played by sisters Bianca and Lorena Comparato. In the series, there is no connection between them, but in an interview with Splash, Bianca explained that the physical similarity helps understand Fernando. “This shows the pattern of his search for similar women. If he continues in this cycle, he must also maintain the cycle of violence.”

Played by Armando Babayov, the villain Fernando is a good man, loved by all, but turns into an abusive and violent man in Four Walls. “When I choose to work, I choose to be a vehicle for telling the story. And that’s what I’ve been saying all along: ‘Use me.'”

The way to condemn this type of violence is through the way this man will behave in the context of that relationship.
Armando Babayov

Fernando’s abuse of Priscilla begins in a subtle way, in the nuances of the relationship. With time and coexistence, everything begins to escalate. Lorena explains, “It starts out with a bang that doesn’t seem too serious.” splash. But she is serious. This episode is very powerful precisely because it shows this idea.

The entire chain is a cry for help needed.
Lorena compare


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